dc.contributor.advisor | Engebretson, Stan | |
dc.contributor.author | Klontz, Mary-Hannah![]() |
|
dc.creator | Klontz, Mary-Hannah | |
dc.date.accessioned | 2015-09-14T14:22:57Z | |
dc.date.available | 2015-09-14T14:22:57Z | |
dc.date.issued | 2015 | |
dc.identifier.uri | https://hdl.handle.net/1920/9884 | |
dc.description.abstract | This research provides a guide to understanding, preparing, and performing Arnold Schoenberg’s last completed opus, “De Profundis” (Psalm 130) Op. 50B,2 within the context of the Hebrew chant that inspired it and Schoenberg’s other religious works, sketches, archival correspondence, and interviews with conductors. | |
dc.format.extent | 463 pages | |
dc.language.iso | en | |
dc.rights | Copyright 2015 Mary-Hannah Klontz | |
dc.subject | Music | en_US |
dc.subject | Educational technology | en_US |
dc.subject | Judaic studies | en_US |
dc.subject | a Cappella | en_US |
dc.subject | Arnold Schoenberg | en_US |
dc.subject | De Profundis (Psalm 130) | en_US |
dc.subject | Music Technology | en_US |
dc.subject | Mysticism | en_US |
dc.subject | Twelve-Tone | en_US |
dc.title | The Heart and Mind of Arnold Schoenberg's "De Profundis" Op. 50B | |
dc.type | Dissertation | en |
thesis.degree.level | Doctoral | en |
thesis.degree.discipline | Music | en |
thesis.degree.grantor | George Mason University | en |