Mason Archival Repository Service

Parallelism: Past Perlustration / Future Formulation

Show simple item record

dc.contributor.advisor Kardambikis, Christopher
dc.contributor.author Caramanna, Brigitte
dc.creator Caramanna, Brigitte
dc.date 2019-12-05
dc.date.accessioned 2020-06-02T17:10:00Z
dc.date.available 2020-06-02T17:10:00Z
dc.identifier.uri http://hdl.handle.net/1920/11791
dc.description.abstract This thesis describes my process and presents the research I have used to create my work. I will provide an explanation to methods of printmaking I practice and how that relates to drawing, exploration, and scientific discoveries. I discuss how nature has been the ultimate factor in motivating the work. The natural world has led me to contemplate what is possible in the multiverse. This has guided me into three areas of research: the past, future, and present. The past: focusing on mysteries of ancient civilizations and lost technologies. The future: taking a look at the how advancement of technology can lead to the loss of knowledge humans have currently obtained. Finally, the present: discussing what the consequences of the present will have on humanity, nature, and the universe. This research leads to the works in the thesis exhibition, which I provide images of and a description for. en_US
dc.language.iso en en_US
dc.subject remnant en_US
dc.subject etching en_US
dc.subject portal en_US
dc.subject monolith en_US
dc.subject Humboldt en_US
dc.subject caves en_US
dc.title Parallelism: Past Perlustration / Future Formulation en_US
dc.type Thesis en_US
thesis.degree.name Master of Fine Arts in Visual and Performing Arts en_US
thesis.degree.level Master's en_US
thesis.degree.discipline Visual Arts en_US
thesis.degree.grantor George Mason University en_US


Files in this item

This item appears in the following Collection(s)

Show simple item record

Search MARS


Browse

My Account

Statistics