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"The Great Sacrifice was made through sad Necessity": Charles Willson Peale’s William Pitt and the Emblemology of Tyrranicide
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| dc.contributor.author | Mullins, J. Patrick
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| dc.date.accessioned | 2020-10-28T03:42:50Z | |
| dc.date.available | 2020-10-28T03:42:50Z | |
| dc.date.issued | 2020 | |
| dc.identifier.uri | http://hdl.handle.net/1920/11891 | |
| dc.description.sponsorship | Consortium on the Revolution Era, 1750-1850 | en_US |
| dc.language.iso | en_US | en_US |
| dc.publisher | Consortium on the Revolutionary Era, 1750-1850 | en_US |
| dc.relation.ispartofseries | Selected Papers of the Consortium on the Revolutionary Era, 1750-1850;1 | |
| dc.rights | Attribution-NonCommercial-NoDerivs 3.0 United States | * |
| dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/3.0/us/ | * |
| dc.subject | Charles Wilson Peale | en_US |
| dc.subject | William Pitt | en_US |
| dc.subject | British Empire | en_US |
| dc.subject | Art History | en_US |
| dc.title | "The Great Sacrifice was made through sad Necessity": Charles Willson Peale’s William Pitt and the Emblemology of Tyrranicide | en_US |
| dc.type | Working Paper | en_US |
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